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Exotic cars tend to arrive freighted with purpose, an unspoken raison d’etre telegraphed to those around them: “I’m on a mission; get out of my way,” they seethe. Their mission might be roadway dominance, as with any of the current crop of menacing, drum-tight supercars. It could be social ascendancy, via Germany’s grander sedans. Or it might be stratospheric financial conquest, as in Rolls-Royce and Bentley’s current chauffeur cars — the Phantom and Mulsanne, respectively, which convey status and unwavering commitment to imperial expansion. They’re not cars you take to the beach, or ride around in while bullshitting about The Walking Dead. They’re focused, closed-off worlds.
Yet the pursuit of such power and prestige is still undeniably an earthly goal. A sin of the flesh. I’m totally down with that, of course, but I also have a healthy admiration for things that somehow transcend merely mortal goals. Enter the Rolls-Royce Dawn, which almost magically achieves that sort of greater-than-the-sum-of-its-parts transcendence.
The Dawn is perhaps best described as a next-level bit of grace in engineering. Yes, that’s a lot of responsibility to heap onto a simple convertible, but hang with me for a minute. Rolls-Royce’s newest addition — and only the third drop-top to grace its ranks since the dawn of the jet age — is a work of both high art and somewhat surprising humanity, and about as humble as a Roller could possibly be without compromising the firm’s rabid devotion to supreme luxury.
But… how? Firstly, because of its beautiful design. More than any other manufacturer, Rolls-Royce produces cars that are visually sublime, with precise proportions, lush, multi-hued coloring, well-drawn functional details, and zero extraneous decoration. The signature grill is the centerpiece, and it has marched lockstep with the marque’s decades-long design evolution, from its place as a necessarily huge air intake in the classic, pre-war era to its more subdued but still immediately recognizable current incarnation.
The Dawn encapsulates all that, but also digests it into a more focused and compact punctuation than Rolls-Royce’s larger cars. The design team began with the company’s similarly sized Wraith coupe, but pushed it to a completely new place. The frame, engine, and suspension are largely the same; the body panels are overwhelmingly new. They’ve tweaked the waistline (higher), window height (narrower), the grille depth (deeper) and the front bumper (bigger), all to enhance “tension” in the design. The grille also rises slightly higher, to bring the Spirit of Ecstasy hood ornament into greater prominence for the driver and front passenger. The Dawn is no holy relic from the heavens, though. From one angle — the side, straight on, from down low — it looks too big, too flat, too blank. Stepping just a few degrees forward or aft, however, fixes that completely.
2016 Rolls Royce Dawn