
For some, film is religion, and no temple is more sacred than the art house cinema around the corner. Serving as a calm voice of reason in a sea of neon megaplexes, the art house is the perfect refuge for discovering that gem of a specialty film. However, in a world this connected – via Bluetooth transfers, Tweets, and so forth – how can any movie claim to be truly independent? After all, Slumdog Millionaire was released by Fox Searchlight to be a cash cow chick flick disguised as an art house drama crowd and popcorn ready. Before I rant about the grindhouse glory days being long gone, here are fifteen upcoming flicks worth your recession-era Hamilton ($10), and frankly, who cares if they’re indie or not?
Inglorious Basterds

The so-called master of visceral cinema, Quentin Tarantino crafts another delirious “splatter opera,” only this time it’s about WWII characters nicknamed “Bear Jew” and “Jew Hunter.” Set in Nazi-occupied France and narrated by Samuel L. Jackson – this five-chapter, Pulp Fiction-length film promises to be both bloody satisfying and structured by that trademark “double helix” of a plotline we’ve come to expect and enjoy.
Release Date: August 21st, 2009
Shutter Island

Out of the 64 Oscar nominations generated by Martin Scorcese’s movies, 89% come from those edited by a lil old lady named Thelma Schoonmaker. With her return on yet another Dennis Lehane-derived narrative, expect a substance enriched execution perhaps equal to that of 2007 Best Picture The Departed. And as much as we should never forgive Leonardo DiCaprio for his role in making a chick flick the biggest box-office movie of all time (over The Dark Knight no less), his performances only get better with each Marty set.
Release Date: October 2nd, 2009